Tuesday, November 10, 2009

Fossati Titanium Chain


Here is a Fossati branded (on the side plates) titanium chain found with a NOS (New Old Stock) 1977 Super Record gruppo. At 226 grams this chain weighs less than current Super Record 11 speed chains that weigh in at 242 grams.

The Vittorio Fossati company is the company that manufactured the EVEREST brand of chains. While EVEREST chains are well known, Fossati branded chains are a rarity. The Vittorio Fossati company was founded by Vittorio Fossati at the end of World War I, concentrating its activities in the industrial sector of small and medium chains.

Photo: courtesy of Bob Freeman, Elliott Bay Bicycles, Seattle, WA

Stories for the Italian Cycling Journal welcome; contact me at veronaman@gmail.com. There are more than 1,000 stories in this blog; the search feature to the right works best for finding subjects in the blog.

Golden Era Revealed Through An Open Door


The following article appeared in the United Kingdom's GUARDIAN newspaper:


A golden era of cycling revealed through an open door

Milan's Velodromo Vigorelli may now be almost derelict but to the trained eye it still houses some of cycling's greatest memories

Bathed in autumn sunlight, the Velodromo Comunale Vigorelli looks much as it must have done in 1935: a monument to the rakish optimism of futurist architecture. Standing in the north-western suburbs of Milan, not far from the elegant Ippodromo and the majestic San Siro, this compact arena breathes history – and not just that of cycling, since the Beatles played here to a full house of 10,000 screaming Italian fans in the summer of 1965.

It is for its original purpose, however, that the Vigorelli claims a place in legend. Here, on a 400m wooden track, is where Fausto Coppi, Jacques Anquetil and half a dozen two-wheeled heroes set new world records for the distance covered in one hour, which used to be among the sport's great tests. This, too, is where Coppi entered in triumph at the conclusion of one of his victories in the Giro d'Italia.

It is some time, however, since any cyclist, great or unknown, passed through the little door marked "Ingresso atleti". Nowaday the players and opponents of the city's American football club are the stadium's sole tenants and only an uneasy conscience keeps the municipality from tearing down an edifice that was rebuilt in 1945 after Allied firebombs had destroyed the original track.

On this beautiful afternoon the Vigorelli is sternly padlocked at every official entrance, with no caretaker in sight. One doorway, however, is open. And inside, the whole place comes alive.

Bicycles and wheels are hanging from ceiling-mounted racks. Clusters of lightweight steel tubes protrude from shelves. A set of vintage Campagnolo tools nestles in a fitted wooden box, the maker's name engraved in flowing script on its lid, several decades old but ready for daily use.

Alberto Masi, 65 years old, is the man who handles these tools. His father, Faliero Masi, set up this atelier in 1949, quickly establishing such a reputation for quality that leading riders paid him to make frames which were then painted in the colours of the manufacturers to whom they were contracted.

Faliero moved to California in the 1970s, selling the rights to produce bikes under the Masi name in the US before returning home a few years later. He died in 2000, aged 93. Alberto, who learned the craft at his father's knee, now produces a small number of new hand-built frames and spends the rest of his time restoring the classics his father built.

Here, he says, are some of his current projects. This is a Faema-badged machine ridden by the incomparable Eddy Merckx. Here is a Gazelle that belonged to another great Belgian rider Rik van Looy. And there, leaning against the wall in a back room, is a tandem painted in the Bianchi company's trademark sky-blue colour, ridden to a gold medal in the 1948 Olympics at London's Herne Hill track by Renato Perona and Ferdinando Teruzzi, ahead of the British pair of Alan Bannister and Reg Harris.

"Ah, Harris," Alberto Masi exclaims. "Grande campione!" And a friend of the family, he adds, as was Tom Simpson, whose Peugeot bikes were actually Masis in disguise.

Alberto goes up a stepladder to a loft and re-emerges holding a copy of a letter. It's addressed to his father, written from Buenos Aires in 1958 by Fausto Coppi, ordering new frames in time for the Giro d'Italia.

He points up at a corner of the ceiling. There, hanging from a rack, are two welded steel assemblies, in the shape of bike frames, dusty and discoloured. They are, he says, the jigs from which his father made Coppi's bespoke machines: one for road racing, the other for tracks like the Vigorelli, unused since Coppi's death in 1960. Honestly, if you'd taken me to the convent of Santa Maria delle Grazie in the centre of Milan and shown me the brushes with which Leonardo painted The Last Supper, I couldn't have been more impressed. Sometimes history is just the other side of an open door.

Photo accompanying article: The Italian Ercole Baldini rides at Milan's Vigorelli velodrome in 1956, AFP/Getty Images

ed: note: use the search button along the right side to find many articles about the Vigorelli velodrome and Masi, especially this one about future plans for the Vigorelli

Stories for the Italian Cycling Journal welcome; contact me at veronaman@gmail.com. There are more than 1,000 stories in this blog; the search feature to the right works best for finding subjects in the blog.

Monday, November 9, 2009

Turning Tires Into Belts: Jiro Belts





JIRO BELT, in Italy, is turning tires into belts. Visit their website for an extensive gallery of the belts available, each unique.

Stories for the Italian Cycling Journal welcome; contact me at veronaman@gmail.com. There are more than 1,000 stories in this blog; the search feature to the right works best for finding subjects in the blog.

Sunday, November 8, 2009

Alfa Romeo Competizione, the Bike






Being familiar with the Colnago-Ferrari collaboration, the Maserati by Milani Cycles, I was caught by surprise of a new one for me: an Alfa Romeo "Competizione" frame that showed up on ebay in the USA.

Some investigation resulted in finding this (undated) information:
"Compagnia Ducale and Centro Stile Alfa Romeo are pleased to present the prestigious line of Alpha Romeo bicycles. Alfa Romeo has chosen to extend the value and diffusion of its brand through an unusual type of product, the bicycle, able to convey the values of Italianism, sport and elegance, with a positive connotation of reference to the protection of the environment and the promotion of the well-being and psycho-physical health of individuals.

This choice led to the decision to launch a line of bicycles, not customised, but made ad hoc, designed directly by the Centro Stile Alfa Romeo and manufactured in Italy by master craftsmen, using cutting-edge technology component parts.
In so doing, the parent company once again stands out as a brand able to best combine tradition and innovation, presenting itself with an original and top-quality product. Upmarket bicycles, at the very top of their categories, consistent in terms of price and quality with those of major competitors. Products that represent a breakthrough and a valid alternative with respect to other well-known proposals, able to convey new suggestions and new values, those of the Alfa Romeo marque.

And so it is that, after a first fleeting glimpse of the marque, attention inevitably focuses on the details: innovative designs, with frames made in Italy by master craftsmen and cutting-edge technology component parts, for performances able to satisfy even the most discerning cyclists.

Each Alfa Romeo bicycle directly takes its inspiration, in terms of lines and volumes, from outstanding Alfa Romeo cars: Stradale super-sport which recalls the lines of the Scudetto, the Cross mountain bike, based on the Kamal crossover concept car,has the particular with Scudetto and Competizione, which bears the name of the Alfa Romeo 8c Competizione, the exclusive limited-edition car.


Each Alfa Romeo Bicycle has an original line, always appealing and nice to look at and touch. Each reveals itself to be a one-of-a-kind and exclusive product, with its own reference target, according to specific structural details and intended use.
And here, in detail is how the perfect synergy came about between Compagnia Ducale and Centro Stile Alfa Romeo.

ALFA ROMEO COMPETIZIONE: The splendid racing bike.
This is the showpiece of the Alfa Romeo Bicycle line.
The affinity is Alfa Romeo and the racing world.
The Alfa Romeo Competizione line, sculpted by the wind, develops fluidly around the two wheels, thanks to a strong and compact carbon-steel frame, the transposition of the side panel of the prestigious 8c Competizione vehicle, after which the bike is named.

Alfa Romeo Competizione is beautiful and sensual, sparkling in the red version, exciting in the black. The red colour is the same as the limited edition vehicle. This is the refined 8c red, the evolution of the legendary red colour of Alfa Romeo competition cars. The velvety and appealing black colour defines the slim line of the bike, making it sublimely elegant.

This bicycle has a unique, elegant and sinuous line, but is at the same time strong and compact, able to cater for the needs of even the most discerning cyclist in terms of performance and lightweight movement. The riding position ensures reliability and comfort and makes Alfa Romeo Competizione the ideal bike for conveying strong emotions, to be experienced.

The bicycle has a starting price of € 4,850 and is available in various versions: Record Fashion (with Bora wheels), Record (with Eurus wheels) and Chorus (with Zonta wheels).

In detail, the “AR Competizione Record Fashion” de-luxe version combines an ultra-light HM40 carbon frame made by master craftsmen with all-Italian hi-tech components. This bike features an integrated seat post, Record Ultra Torque CT Carbon crankset and ultra Bora profile wheels.

Alfa Romeo 8c Competizione is made tailored to the build of its owner. It is a one-of-a-kind bicycle distinguished by painstaking care for technical and aesthetic details."

Photos: photos at top are from the ebay USA listing

Stories for the Italian Cycling Journal welcome; contact me at veronaman@gmail.com. There are more than 1,000 stories in this blog; the search feature to the right works best for finding subjects in the blog.

Saturday, November 7, 2009

Update: Gran Fondo Colnago San Diego


Pro cycling legend Paolo Bettini is scheduled to appear at the 2nd annual Gran Fondo Colnago San Diego. Bettini will participate in numerous pre-event activities held throughout greater San Diego and he will preside over the ride on Sunday, March 7, 2010.

Considered one of the best classics riders of all time, Bettini won several major titles in cycling, including the 2004 Olympic gold medal in Athens and road cycling World Championships in 2006 and 2007.

All event participants in the ride will receive a custom Briko cycling jersey.

Visit www.GranFondoSanDiego.com for event details and registration.

Stories for the Italian Cycling Journal welcome; contact me at veronaman@gmail.com. There are more than 1,000 stories in this blog; the search feature to the right works best for finding subjects in the blog.

Pellizotti Recons Giro's Stage 15


With 200 days to go to stage 15 of the 2010 Giro d'Italia, Franco Pellizotti (3rd in the Giro and the winner of the Tour de France polka dot jersey in 2009) did a 70 km reconnaissance ride of the stage with some cycling pros plus 90 amateurs. The recon took in the Passo Duron but stopped short of the Passo Zoncolan. During the race the 218 Km Stage 15 from Mestre to Monte Zoncolan will include, in this order: Sella Chianzutan (955 m), Passo Duron (1069 m), Sella Valcalda (958 m), and Monte Zoncolan (1730 m, 10.1 km in length,1, 1200 m of elevation gain, average grade 11.9 maximum grade 22%).

"It was not my first time on the Passo Duron" said Pellizotti. "This is a very challenging climb, about 5-6 miles, with gradients of up to 19 percent, and arriving at an altitude of 1069 meters. The beginning is hard, in the middle it moderates but remain challenging, and the last mile is back to 15 percent. When you take it, is narrow, then widens, then narrows. A beautiful road. I did it in an agile gear, a 39x27."

Pellizotti's last race of the season was the mid-September Tour of Missouri. Since then he's been on vacation. His training, on the bike and in the gym, for the 2010 season begins approximately one week from now. Saying that his training for 2010 should follow 2009 by beginning calmly, "I found myself well, I gained important results. My intention is to ride the Giro d'Italia and Tour de France again."

Stories for the Italian Cycling Journal welcome; contact me at veronaman@gmail.com. There are more than 1,000 stories in this blog; the search feature to the right works best for finding subjects in the blog.

Friday, November 6, 2009

Alfonsina Strada at the 1924 Giro d'Italia


The previous story was about the history of women's cycling exhibition at the Museo dei Campionissimi (Museum of Champions) in Novi Ligure which is being held form November 6, 2009 to February 28, 2010. One of the riders that will be featured is Alfonsina Strada that rode in the 1924 Giro d'Italia.

Her story:

"It was 1924, and there was serious doubt that the Giro d'Italia would happen. Most of the major sponsors were holding back because the economy in Italy was depressed. As a result, few riders signed up for the annual race. But one who did was a woman, signed up as Alfonsin Strada. Using her husband's last name and her first name less the "a" on the end, it appeared that she was a man. When they found out, would she be allowed to participate in the ride?

In 1891 Alfonsina Morini, the second of 8 children was born to a family in northern Italy . Alfonsina's family were essentially peasants with the father a day laborer and sharing a hovel with 24 occupants. The children grew up with little structure or advantages. This was during the time that many people from that part of the country were dying from pellagra, a kind of malnutrition. Alfonsina spent most of her time caring for her younger siblings and running errands for her mother who was usually pregnant. One day, when she was ten, her father came home upon a most amazing machine. He had traded some chickens to a local doctor in exchange for an old bicycle. Alfonsina was captivated. She got on it and in a short amount of time was propelling herself up and down the fields, between the beets and the cabbages. She had discovered freedom. Of all the children in her family, she had the greatest ambition to leave her family's poverty and squalor. And she did it on a bike.

If Alfonsina had been born in 1980 and was competing in the Giro d'Italia today, it would be sensational news and in every one's living room thanks to mass media. But this happened in 1924, when it was still considered scandalous for a woman's ankle to be revealed from beneath her skirts. People believed in those days that excessive exercise was not good for women, and as the weaker sex, it would be preposterous to even consider that a woman could compete against men in any kind of physical competition. Imagine the reception that Alfonsina received as a young woman straddling a bike and pedaling down the road. People teased her and called her names. Men made unwanted advances and others treated her like she was insane. Her family was outraged and tried to prohibit her from riding, so she'd tell her mother that she was going to church, while actually she was going to a neighboring town where there was a bike race.

In the early 1900's there were a few European women who were bicyclists, but their skill was seen as more like a circus act, and people believed that they were possessed by the devil, or considered to be amoral and certainly were not normal wholesome women.

Somehow in her backwater town, Alfonsina had heard about them, and at the age of 13 she declared that she would become a famous bicyclist someday. It wouldn't be enough to be faster than the boys in her town and it didn't matter that everyone said she was crazy, she was going to become world famous.

Her "mania" continued to grow as she began to win prizes. One time she won a live pig. She competed in races against both men and women, and in 1911 broke the women's speed record, previously set in 1905. Her record stood for 26 years at 37 kilometers per hour (23 mph) and she did it on a 44 pound single geared bike. But her fame and prize winnings did not soften her family's stance against this scandalous behavior; they wanted her to settle down and be a seamstress. They were tired of being the laughingstock of the town.

So when a young suitor appeared, they insisted that she marry, settle down and forget all this bicycle nonsense and in 1915, at 24 years of age, Alfonsina married Luigi Strada, a metal plater and inventor. He was an intelligent, modern man who, instead of obstructing the passion of his bride, approved of it and gave her his full backing. To her parents' dismay, her new husband gave her a shiny new bicycle as a wedding present. The following year they moved to Milan and Alfonsina began to train regularly under the guidance of her husband.

The first major race that she competed in was the 1917 Giro di Lombardia. World War I was still raging, and many important riders were soldiers so there were not many entrants. This worked to Alfonsina's advantage, as the organizers were eager to have as many riders as possible to bolster the morale of the people during this terrible war and there were no rules that specifically forbade a woman from participating in the race.

The course was 204 Kilometers, with 74 entrants and 32 finishers, Alfonsina finished 32 nd , 1 hour and 34 minutes after Philippe Thys from Belgium , who finished in 6 hours 58 minutes and 2 seconds.

In 1924 Emilio Colombo , director of the "Gazzetta dello Sport," a newspaper, admitted Alfonsina to the Giro d'Italia. It was a success that Alfonsina gained during the race, not because of how she placed, but because she was able to prove that women were capable of sustaining the intense workout needed to finish a race. Alfonsina, who was less than 5'2" tall, rode on her men's bike, wearing black shorts and matching black socks which showed off her muscular legs. On top of all this she wore a sweater with her name on it. She wore her hair in a fashionable but short bob cut and with a smiling and good natured face she began the Giro, the first to this day, the only female athlete to ever participate in this men's only event.

She completed the first 4 stages, the Milano-Genova, where she arrived one hour after the winner, but ahead of many rivals; the Genova-Firenze, in which she was 50 th of 65 competitors, the Firenze-Roma, only 45 minutes behind the first and ahead of a big group of competitors, and the Roma-Napoli where she really proved that she was worthy of her competition.

The Foggia-L'Aquila - 7th stage was 304 km, which was bad enough because the southern Italian roads at this time were nearly impassible. They were not paved, and were rocky and icy too. The mountain pass was so terrible that the riders could not get their bikes through the mire and mess on their own and almost all of the participants were towed partway by motorcycles and cars. Alfonsina suffered terribly on this stage. She fell on a descent and had to ride many more hours using her bruised, scraped and swollen knee.

Alfonsina did not finish the next stage, L'Aquila-Perugia, (296km) within the time allowed. Although every day each participant was given ¼ of a roast chicken, 250 grams of meat, 2 prosciutto and butter sandwiches, two jelly sandwiches, 3 raw eggs, 2 bananas, 100 grams of biscuits and 50 grams of chocolate, oranges and apples; she was still suffering from the damaged knee and was visibly thinner and stressed. She was also fighting an inner battle, she just wasn't sure she could do it, and was tired and miserable. That day the weather was terrible. The wind blew and a bitter rain fell. The mantles that the riders wore did little to protect them. At a certain point on the ride, Alfonsina's handlebars broke. She wasted a lot of time looking for something to repair them with. She met a housewife who had a great idea. The woman broke her broomhandle in half, and gave it to Alfonsina, who finished the stage with a wooden handlebar. Arriving out of time, she was put out of the race. There was a heated controversy since some of the judges felt they should show clemency because of her particular circumstances. She had been victim to some falls and several flats. At the end the opposition won out. But Emilio Colombo, who understood how good the publicity would be to sponsor the first woman cyclist in history; decided to let her finish the course (unofficially of course), paying out of his pocket for her room and board and masseuse.

The next stop was Fiume , where Alfonsina arrived 25 minutes late, but not a single spectator left until she arrived, as everyone wanted to see this exceptional woman. That day she had fallen again and was hurt. She arrived crying from pain and exhaustion. The excited crowd tore her from her bike, cheering her as if she had been the winner. Heartened by this reception, she continued on the race up to Milan , observing the same schedule and rules as the rest of the competitors. The ride had 12 stages for a total of 3610 kilometers and concluded with the victory of Giuseppe Enrici after an exciting duel with Federico Gay. When they left Milan , there were 90 participants, and at the end there were only 30 finishers including Alfonsina.

In successive years, she was not allowed to compete in the Giro, but she followed it anyway, winning the friendship and esteem of Cougnet, Giardini, Emilio Colombo, Cattaneo, Lattuarda, Girardengo, as well as of many journalists and competitors. In an attempt to earn money doing what she loved, Alfonsina tried to exploit her abilities, participating in exhibitions riding her bike on rollers and in circles. She went to Spain , France and Luxembourg . In 1937, in Paris , she defeated the French champion, Robin. The following year, in Longchamp, she won the female speed record of 35.28 kph.

Her husband died after a long confinement in 1946. She remarried in 1950 to an retired bicyclist who had won many prizes on the track, the giant Carlo Messori. With his help, she continued with her activities until she finally decided to quit competing but did not stop bicycling. She continued to use her bike as a means of transportation. She remained in the biking world because Carlo opened a bike shop with a repair annex. He died in 1957 and Alfonsina continued to care for the house and the repair shop in Milan on Via Varesina where they lived. Every day, to go to work, she rode her old race bike wearing a long pants dress. When she began to feel the advance of age she bought a 500 cc Moto Guzzi. To buy this red motorcycle, she had to sell some of her medals and trophies.

In her later years, she lived with her Siamese cats in 2 dark rooms, and she told people that she had a married daughter in Bologna . But it wasn't true. She wanted to believe she was not alone in the world. (She still has relatives living at Idice di San Lazzaro di Savena ) She died in 1959 at the age of 68.

The day she died, she had left home very early with her motorcycle to watch the famous "Three Varese Valleys Ride" then returned in the evening. To the concierge of the house she said "I had so much fun, It was really a beautiful day. Now I will push my motorcycle to the store and I will return on a bicycle." And she left. She was actually rather bitter and disappointed that day because no one noticed her. It added to her great feelings of loneliness. After she exited the house, the concierge heard her trying to start the motorcycle unsuccessfully. She looked outside to see Alfonsina pushing angrily on the start pedal. After a bit, the motorcycle slipped out of her hands, and she fell on top of it as if she wanted to hug it. People rushed to her help, putting her into a car and carrying her to the hospital, where upon arrival, she was already dead, her heart had stopped.

After Alfonsina's death in 1959 it was believed that the story of women cyclists was finished. Instead, the times soon changed and since then cycling has become a real alternative for competitive female athletes. Alfonsina Morini would certainly be happy to know about it."

Source: www.radiomarconi.com

Stories for the Italian Cycling Journal welcome; contact me at veronaman@gmail.com. There are more than 1,000 stories in this blog; the search feature to the right works best for finding subjects in the blog.